The house is magnificent,
architect-designed, built in the thirties, genteel. The drive curls around to
the back door under what the floor plan calls the port cochere, the coachman’s entrance. I enter the vestibule, get
hit by a musty reek. The place has been unoccupied, unheated, for a week.
The passageway runs the width
of the place, not the length, to the right the kitchen, maid’s room, to the
left the bedrooms. Straight ahead is the huge living room, French doors to a
pillored verandah looking across the valley. Behind the house, separate, up
wooden stairs, is the studio, a large, dark-panelled room, two huge windows with
the best view on the property, northeast.
My sister and brother-in-law
are inside, my niece and her partner too. My son and his partner arrive, then
my nephew’s partner. The ducted heating drives out the must. We open doors, cupboards,
everything oddly angled; this is its charm—it’s no box.
My sister will turn the house
into a masterpiece, as it once was. But I know from the tremor in her voice the
garden frightens her.
I wander down a garden path. The
previous occupants have let the garden go; more likely it overwhelmed them. New
vegie boxes in the back corner attest to an attempt to make a go of it. Hidden
paths dense with moss disappear under azalea hedges. English ivy, the scourge
of native flora, insinuates itself across every surface. A team of gardeners
would need a year to tame it.
My nephew’s partner encounters
a neighbour on her ramble through the wilderness. He says the house has changed
hands four times in eight years, twice owned by gay couples. I suspect the
garden got the better of them all. Or the damp.
This will be my sister and
brother-in-law’s greatest challenge. I wish them luck.
Rock on.
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