Until I saw the clip I’d not
heard of Kate Miller-Heidke. The song tears me up, and I can be a dead callous
bastard. Sometimes. I’ve suggested to our manager that we ask Kate to be our
(celebrity) patron. All we have to do is ask. Anyway, turns out that my
Queensland colleague Olivia is a good friend of Kate’s.
I quit my hotel room on the
eighth floor, traverse Adelaide in a taxi for a pub called The Gov in
Hindmarsh. I’m not into music, pubs or live performance, but I’ve parted with
$50. I intend to have my adventure.
I’m with four work colleagues
half my age and less. Michael asks when I last went to a gig. I fathom the
depths of memory—Tangerine Dream, 1974. He’s speechless. The other three were
not born then.
The venue is dark, no seats. I
stand for three hours, left leg numb, lower back aching. The Beards, four dudes
with long lush beards, support the main act, their repertoire entirely about
beards. They’re fun.
Kate Miller-Heidke trained for
opera, chose pop, writes autobiographical songs. I hear about five per cent of
the lyrics. The drums punch my vital organs, though I’m ten-deep from the
stage. Guitar solos and the Kate’s soprano make my ears bleed. My colleagues
lap it up. Good on ‘em.
I count off twenty songs,
hoping each will be the last. The compulsory encore completes my misery.
Sasha and Alex hang in the
foyer settle for autographs. Sasha snaps Alex cheek to cheek with Kate. Olivia
and Michael opt for the beer garden to meet Kate and the band. I cross the road
to check the timetable for Adelaide’s only tram which semi-circles the city
from The Gov’s door to Glenelg.
My night’s adventure is riding
that tram, listening to Sasha and Alex complaining about the bitter cold. We
alight at one in the morning and go straight to our rooms.
Rock on.
No comments:
Post a Comment